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The process<\/em><\/p>\n I’ve finished a master’s degree in theatre research and musicology at the University of Copenhagen. At the end of my\u00a0final year, I had\u00a0to arrange a song for big band and afterwards I, myself, had to conduct the whole thing. I chose to arrange the disco version of “One Night Only” from the movie “Dreamgirls”. It was a powerful and totally awesome experience to conduct an entire big band with a brass section, drums, guitar, bass, piano, and vocals.<\/p>\n After my exam, I felt like I wasn’t ‘finished’ with the song. It had grown on me, and it felt like I had to\u00a0get more value out of my many arrangement hours \ud83d\ude09 Ever since then, I’ve been wanting to re-arrange the scores from my big band arrangement and turn it into pure a cappella. However, it weren’t as applicable as I had thought, so I ended up re-arranging the whole thing for voices only… \ud83d\ude1b<\/p>\n Through the past couple of years, I’ve tried different ways of performing the arrangement – should it be sung by a vocal group whose singers would record one section each? Should it be sung by a big choir?\u00a0What kind of sound would match the arrangement and make it stand out?… Well, I ended up recording the arrangement in a studio, as I learned that it fit the sound of the arrangement the best.<\/p>\n <\/p>\n The sheet music<\/em><\/p>\n My a cappella rendition of the disco version of “One Night Only” has been arranged for 8 different groups of voices:<\/p>\n In total that makes more than 20 different voices. On top of that, I can tell you that several of these voices have been dubbed by other singers – so the final vocal production has more than 50 tracks in it \ud83d\ude42<\/p>\n When I arrange a cover like this, I sit down and listen closely to the instrumentation and the individual instrumental parts in the song, so I can copy melody parts and sounds as close to the original as possible. Therefore, the goal of a production like this, is to make it sound as close to the original music. For instance, we spent quite some time in the studio trying to produce a trustworthy brass sound – that took a whole lot of time, effort, and spit…<\/p>\n <\/p>\n Audio recording<\/em><\/p>\n All of the vocals have been recorded by Cowfish Audio owned by Kaspar Frederiksen. Kaspar and I studied together at the University of Copenhagen and have since then teamed up and co-operated\u00a0on a number of different productions. He was also in charge of the recording of my Stockmann Stage jingle<\/a>.<\/p>\n <\/p>\n Mastering<\/em><\/p>\n\n